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The Pen is Mightier than the Sword

The grieving


Sorciere

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How do you tell a young child

His father’s gone away

How can you take the burden

His heart will feel that day

The burden of the longing

To feel his hugs once more

The pain he now has knowing

Dad won’t come through the door

 

He searches hard to find now

Some comfort in his mom

But she is broken also

Her grief has struck her dumb

She nurses him so closely

Not knowing what to say

Her tears fall on his small face

Washing his own away

 

Two older children come now

And four are in the hall

All holding to each other

In case the others fall

Their strength is in their number

Their grief is so immense

They feel there’s no tomorrow

Nothing now makes sense

 

The mother holds her head up

Her tears still warm and wet

She strokes the heads below her

And feels no more regret

The beauties in her presence

Are all part of her love

She knows he will protect them

From painless skies above

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Well I already said this via IRC about this poem and its stands - thats eactly how I feel (and I just have to post it since its a public view too)...

 

* Parm^idle stands awkwardly with jaw hanging open

* Parm^idle is speechless

wow

I mean this seriously hun, that is most definitely as good as anything any of the would-be greats has written that I have ever read

what did i do now?

you did something that generally doesnt happen

you surprised me =)

lol

thats an absolute classic

with which one?

it has perfect rythym and such an endearing story!

um

they different ones?

oh lol

lol yes

i clicked the last one :)

ahh the grieving

The grieving

yes

 

In short I think this is just one of the most truly amazing and touching pieces I have ever had the privelage to read.

 

Thank you Sorciere for a peek at genius :rolleyes:

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I have to be honest, this praise overwhelmed me. This poem I wrote quickly but it has so much meaning behind it for my family and is probably the only time I've tackled a family event that did not directly involve me.

 

Thankyou

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Hi there, in reading over your poem, I noticed your particular style could be well suited to a bit or dialogue here and there. I'm not saying rewrite you poem... It just seems to me, that you have the potenial to draw out and personlize the emotions of your characters... and small dashes of dialogue used just so, could be one tool to achieve this...

 

 

For Example stanza 4,5, and 6 below, remind me of the way you wrote your poem.

 

Dudley Randall

(1914-)

Ballad of Birmingham

(1969)

(On the bombing of a church in Birmingham, Alabama, 1963)

 

 

 

"Mother dear, may I go downtown

Instead of out to play,

And march the streets of Birmingham

In a Freedom March today?"

"No, baby, no, you may not go,

For the dogs are fierce and wild,

And clubs and hoses, guns and jails

Aren't good for a little child."

 

"But, mother, I won't be alone.

Other children will go with me,

And march the streets of Birmingham

To make our country free."

 

"No, baby, no, you may not go,

For I fear those guns will fire.

But you may go to church instead

And sing in the children's choir."

 

She has combed and brushed her night-dark hair,

And bathed rose petal sweet,

And drawn white gloves on her small brown hands,

And white shoes on her feet.

 

The mother smiled to know that her child

Was in the sacred place,

But that smile was the last smile

To come upon her face.

 

For when she heard the explosion,

Her eyes grew wet and wild.

She raced through the streets of Birmingham

Calling for her child.

 

She clawed through bits of glass and brick,

Then lifted out a shoe.

"O, here's the shoe my baby wore,

But, baby, where are you?"

 

 

-------

 

Just an observation, feel free to ignore...

 

 

revery

the dreamlost

"we suffer in the shudder of the smallest glismpe..."

the dream continues...

Edited by reverie
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Thank you for your comments and they certainly won't be ignored. If I didn't want observations, advice and ideas I would keep these things in my notebook :)

 

 

I really liked the poem you posted as an example and I have toyed with the use of dialogue in other works, but it never crossed my mind writing this to be honest. I'm interested as to how I could make it work with this one and will give it some thought tonight, maybe adding several 'dialogue' stanzas to slot into the current ones, like your example, as I'm not sure I want to alter those already written (although never say never).

 

Something for me to have a go with, thanks for your input! :)

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oh, i was never saying change it... what I see and interperet(can't spell,sorry), can never be the same as what you hear in your head when you write...

 

so don't go destroying it on my account...

 

 

hmm, but you can always create variations on you theme... like different chapters in a book... or movements in a symphony... a different aproach/perspective or stuff like that... who knows, you might just create some unexpected splitter poems off of it...(gotta love the splitter poem...)

 

revery

the dreamlost

"fun, fun"

the dream continues...

Edited by reverie
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