Jump to content
The Pen is Mightier than the Sword

First Daughter


Recommended Posts

First Daughter

 

Primordial first woman

misjudged

born of bone dust

daughter of Earth

she quakes in her own

pure sensuality

restrained

and forced

to live in innocent bliss

while the folly would blindly

follow pre-destined ways

she speaks of truth

desires more than the flesh

of platitude

tasting a world beyond

her fingertips

passion quickens

her eyes are determined

insensible men mistake

for weakness

born from their own fear

they could not take the first step

it was to her burning intellect

a wise serpent would appeal

heroine in disguise

to liberate man

born him in the world

of knowledge

hers was the guiding hand

the only curse

in their shame

that they would remain

quivering in ignorance

had not woman awakened

the soul.

Link to comment
Share on other sites

  • 3 weeks later...

Well, yes, separating the lines meant that the repetition of synonyms could be disguised. There's a great poem in here but it's muffled by about three layers too many of repetition. I like moral lessons; I love forceful poems. I want to remove the mufflers which blunt the edges of the forceful poem. First, I'll install a temporary line break every time the topic changes, and no more:

 

1 Primordial first woman misjudged born of bone dust daughter of Earth

2 she quakes in her own pure sensuality restrained and forced to live in innocent bliss while the folly would blindly follow pre-destined ways

3 she speaks of truth desires more than the flesh of platitude tasting a world beyond her fingertips passion quickens her eyes are determined

4 insensible men mistake for weakness born from their own fear they could not take the first step

5 it was to her burning intellect a wise serpent would appeal

6 heroine in disguise to liberate man born him in the world of knowledge hers was the guiding hand

7 the only curse in their shame that they would remain quivering in ignorance had not woman awakened the soul.

 

Look at the temporary lines 2, 5, and 7. They're complete sentences. They do not have excessive repetition; they're clean and can be left more or less intact; I would excise "blindly" from temporary line 2 and take a sharp look at reducing "innocent bliss" into one word with the same connotations ('innocence'?), but those are minor hiccups. Maybe this poem isn't as swaddled as I thought it was. Oh yes, first she is quaking in temporary line 2 and then the men are quivering in temporary line 7; was that intentional?

 

Temporary lines 4 and 6 are slightly run-on sentences. Either one could be quick-fixed by chopping out the middle phrase, but it would be smoother and probably better to just rework a word or two to knit those dangling phrases into the sentence. Temporary line 4 has no object for the first sentence: insensible men mistake what for weakness etc.? Is there a word or two. . .missing? Temporary line 6 just needs "born him. . ." in a more grammatically precise form. Was he borne or reborn? Was she the midwife (as her "guiding hand" implies) or the mother?

 

Temporary lines 1 and 3 are nothing more than a tumble of phrases, several attempts to define the idea from different angles (and stamp their importance into the reader's mind) but they clamor against each other and obscure the message. Out of temporary line 1, I delight in "primordial", but that word has a scientific aftertaste which is out of place with this theme. "First woman" is culturally neutral, or is it "first woman, misjudged" with a line break where the comma should have been (not culturally neutral in this culture with gender studies) or "first woman misjudged" with no break at all? "Born of bone dust" is biblical imagery; "daughter of Earth" is pagan imagery. All strong images, but dissonant; if you don't tie them together somehow or cut the most unharmonius ones, don't further divide them with line breaks. Temporary line 3 is such a tumble of generalizations that I can't pick out any strong image. You need to find the central image for that line and then prune without mercy.

 

Once all that's done, the poem can probably reassume its original choppy line breaks without harm, more taut and forceful with the central moral bared.

Link to comment
Share on other sites

×
×
  • Create New...