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The Pen is Mightier than the Sword

Wealhtheow

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About Wealhtheow

  • Birthday 01/17/1984

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    Male
  • Race/Gender Details
    white...tall...blonde...blue eyed...what else could one wish for?
  • Bio
    I am a student at Leicester University (England, for those who might know another Leicester) studying English Literature. Half Dutch. Have lived in California at ages 12-17, but the American accent I picked up there has dwindled to nothing since then. All English now. Am suffering severe hangover at the moment, which will hopefully be gone by the time you read this.
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    medium/well-done (i.e. dissect me into shreds, it's all good ; )
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  • Location
    Leicester, UK
  • Interests
    literature, history, mathematics (call me crazy), music (all kinds, as long as it sounds good), nature, travelling, people, philosophy, animals, internet, humour (specifically Monty Python, Gilbert and Sullivan, stand up comedians, Bill Bryson, the Simpsons, british comedy and lots of anonymous laughs which I can't categorise), reading, writing (those last two could fall under literature, but I wanted to specify), beer (and I don't mean Bud or anything like that I mean proper ales dammit), wine (preferably red, but a rose will do on a summer's afternoon and white occasionally if it's not too cheap), conversing, life, living, good food, playing the piano (although I must admit that I have not done that for a long time, but that doesn't mean it's not one of my interests), the Anglo-Saxons (which falls under history I know, but I thought I'd be specific), standing in the shower disregarding time, jogging (actually I don't really like this, I just like the great sense of accomplishment that ensues), being productive (you can tell I'm searching my brain for interests, can't you) - I know I have numerous other interests, but I shall refrain from mentioning them. I guess the point I was trying to make is that I am glad to be alive, and I take interest in almost everything I do.

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  1. a 'weaker of heart' means a person with a weak heart (figuratively speaking). And yes, I actively wish to change that last line, any suggestions are welcome, even if it has little to do with conveying that my life is indeed messy. Anything poetic that rhymes with express wil do, suggestions are very, very welcome! My mind is blank and all I want is that last line to flow better, and have a final 'wow' to it. As it is now it's an anticlimatic last line, I think everyone agrees with me there.
  2. Thank you, Tanuchan, for your feedback. I agree that there needs to be some sort of plot, or else it will get boring. However, since the debate aspect of the story is much more important than the events, I would like to keep that to a minimum. Here's a rough outline. The story starts out with the tiger having just eaten, so the monkey realises that the tiger is no threat to him. However, he is cautious not to get too annoying, and cause the tiger to lunge at him, so he stays out of reach of the tiger's fierce paws. They sort of walk along (with the narrator following inconspicuously behind), when suddenly the tiger exclaims that he is hungry again, and (jokingly, but the monkey does not realise this) runs after the frightened monkey. The monkey quickly climbs up the nearest tree, a young, tender sapling. The tree bends and swings under the monkeys weight but then the monkey finds a balance. They continue their discussion, but then the monkey aggravates the tiger and the tiger starts beating at the little tree (which, in turn, is swinging wildly) until the tree collapses and the monkey quickly runs off to a higher, sturdier tree. Anyway, the monkey, feeling a lot safer and finding back his self-confidence, starts complaining that the tiger shouldn't have ruined a young tree to get at his objectives. The tree was young and fragile, but had the potential to grow out to be the king of the forest! I say the monkey gets these lines because I am afraid that I am too biassed to let the tiger be the 'cool, wise' one, and the monkey be the 'stupid, silly' one. I want the reader to give them equal sympathy. So, the monkey complains that the tiger, through being such a solitary creature, has lost all its ability to care for other creatures and plants. And so on and so forth. Anyway more topics get brought up and then later the monkey should challenge the tiger to show the effectiveness of tiger-hunting, so the tiger goes to demonstrate. In the end the tiger has learned to become more cooperative, and the monkey has learned to think more for himself (as opposed to being a member of a group), to give the story some meaning. What do you think?
  3. Any comments will do. I am all ears to hear what you thought of this, even if you declare it to be complete and utter <insert any synonym of a bad word>. Just don't read it and then think you're incapable of giving negative criticism and leaving that to someone else. I want YOU to reply, it will mean a lot to me. This poem was written about a year or two ago when my relationships were a bit shorter-lived. Anyway, make of it whatever you want. Just to let you know - I am personally very very very unhappy with the last line, but I have not got around to changing it yet. Sorry the Heart that lived by the sea that saw with a tear of dismay the coming and going of loves tenderly but none of them managed to stay. The pull of the wide and alluring sea too strong for the weaker of heart invited the lovers to leave without saying goodbye – for the want of new start. They just turned their backs and sailed away one after another they left. And each of the sweethearts beheld a new future whilst leaving the Heart of her sweetheart bereft. I am the lovers depending on going – a weaker of heart: which my actions express. My men are the Heart that’s repeatedly breaking – I am afraid that my life is a mess....
  4. I don't think you should add punctuation. I usually work with punctuation, but that's just my personal preference. It doesn't matter to me as a reader if you don't have punctuation - in fact, maybe it's even better without - no puncutation can reflect the utter sense of awareness that you lack something in your life. I think it's a very good poem, at least the first two stanzas were. I loved the way you described the lonelyness. It's really very clear, and touching! However, the last stanza is such a different style. Perhaps I'm just picky, but the last one just doesn't....flow as well as the others. The 'dreams of hatred' bit just seems to come out of nowhere, and leads to nothing. I guess it's just that one sentence that I'm not comfortable with. Otherwise I think it's excellent!!!
  5. great form, I like the first stanza best of all. You could take that stanza and it would be a great poem by itself. I don't know why you changed the rhyming scheme, it is a bit odd although at first one might not notice. However, call it poetic licence I didn't like the last two stanzas as well as I liked the rest, and I'll tell you why: the previous stanzas convey very wise truths and are really at the top, and although the two last ones are 'nice' they are not as great as what has been conveyed before. At the same time, they still tie in very well with the overal theme, so perhaps I shouldn't be commenting on that. But they're just so...forced...as if you still needed two stanzas to complete the poem, but your creativity slipped away.... Now my favourite line by far (apart from the first stanza which I have already praised highly) is 'a future unconfined'. I just think that is really good. It's in those subtle words, easily overlooked, that a truly beautiful poem manifests. Well done and write more
  6. I don't usually say this, but I think it's a wonderful poem. It may be a bit too depressing to my taste but it's excellently done. Don't change it one bit - I don't agree with the criticism at all. Leave it just the way it is - if someone else would have switched around 'im cold' and 'im dead' then that's their poem. Don't let them touch yours. I find I am more touched by simplistic poems that convey a genuine, deep emotion, than some crap (excuse the language) you find here that has lots of 'poetic' words embedded within the lines to give the false appearance of something 'professional'. In conclusion, I think you should be very proud and I hope that you warm up as well because it sounds awful, the state you're in.
  7. I am thinking of writing a philosophical tale of an overheard dialogue between *take a guess* - a monkey and a tiger. Actually it is not for certain these animals - what is most important is that the names of the animals sound poetic, and one is solitary, sober, serious...a thinker - the other is jocund, lively, talkative...a blabbermouth. I want to emphasise the contrast between the frightening and the comical. The problem is that there is already a book called 'the monkey and the tiger', which, ironically, seems to have very little to do with those animals (correct me if I'm wrong). Is this a problem? I don't want to plagiarise as I'm planning to get this published somewhere, sometime, somehow. If anyone has any suggestions of animals that are more apt for this project then I'm happy to hear about them. I am aware that 'monkey' and 'tiger' may automatically generate the assumption of a chinese-type story, but I intend no such thing. I wonder, however, how other people view this. Would my choice of animals be too inapt for what I intend to write? Anyway, this idea is inspired by and wil be modeled on the Mediaeval poem 'the Owl and the Nightingale', if that means anything to you. Please, I want feedback, preferably positive but constructive comments are very important to me, however much they may damage my pride. Here's an example of the style that I intend: One calm summer's evening, while I was walking along a winding forest path, methought I heard two voices bickering. Upon investigation, I saw a monkey and a tiger in heated discussion! Unusual though it was, they spoke perfect English, although my astonishment was not merely because of this - it was the content of their dialogue that aroused my curiosity. I hid myself behind a bush, and listened to their every word.... Forgive my archaic language - it is intended that way, although I wouldn't mind if you told me it's just too odd. Anyway the story progresses, we hear about their differences and one rebuffs the other and vice versa. The topics they discuss are meant to be symbolical, metaphorical, allegorical, and even satirical of human behaviour. Here's a taste of the idea: And then the monkey rebuffed the tiger's statement, or at least tried to. 'But Sir Tiger,' he said slyly, while positioning himself out of the reach of the tiger's fearsome claws, 'you seem to forget that I am accompanied by others of my kind. There is always a cousin or a friend to take away my loneliness, and when I am ill, my group is sure to look after me. What do you do when you're hurt, I ask you? Who will make sure that you are well fed? Many of your kind have suffered a painful, lonely death for the lack of a companion to take over in times of need. You say that you like being alone, but you have never encountered true danger before. When that happens, it will be the final chapter of your life, you mark my words!' 'Right,' the tiger growled sceptically, one eyebrow raised. 'Listen to this, you fool,' he said, as he readjusted the arrangement of his gigantic paws, 'cease your rant and hear me out. I will die alone, it is inevitable. I do not waste time lamenting that fact. Do I need to suffer company to enjoy life? I find my mate and establish an heir, and then I go my way. I eat all that I kill, I do not need to share my food with anybody. You go hungry because your superiors demand your 'banana' - I have no dealings with an hierarchy. I am not willing to give up my freedom to indulge in the company of others. Moreover, you say I will die, but so will you. You do not gain immortality from being in a group.' The monkey was jumping up and down in excitement. 'You're right,' he shouted, 'I will die too, but what you say is essentially flawed. I am merely arguing that having company may procrastinate the hour of my death. You are disguising false statements with witty comments, but I am not easily deceived! I see through you. You are cunning, but so am I! I will not listen to your arguments if they are ill-founded. Speak sensibly, or hold your tongue.' 'Are you trying to find fault with me?' the Tiger retorted angrily. 'You obviously fail to accuse me of anything more serious than being cunning. Stop being sidetracked and tell me what you come up with that's worth hearing.' Anyway that's it for now, please let me know any thoughts on this idea, how long you think I can go on like this without being boring, what I can do to enhance the style and any other comments or suggestions that you might have. Thanks - Wealhtheow
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